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How To Convey The Visual In Stage Lighting Art Design Nov 06, 2017

The most important aspect of lighting is the visual shock, and we are now living in a rapidly evolving information age where, in most cases, the audience loves the stage aesthetics that are clearly and uniquely expressed because such a design can reduce the amount of time they are watching The performance of the rational degree of review. In my opinion, to identify the success of the stage work, to see if it can quickly reflect the visual cues and outstanding visual cues and sensory perception in the brain when the audience first watches it reaction. Some designs leave the viewer with deep memories, rich associations, and others to make people feel dull. Why is this? This is due to the different elements of visual communication in the design work.

 

    I suggest that a good stage art design should consider the technical perspective of visual communication in four aspects: contrast, balance, rhythm and conciseness.

 

    First, contrast

 

    Contrast refers to the design in color, form, size, content, material and other aspects of the changes and differences. Comparisons of many factors can lead to different personalities and rich styles of design work, and simpler comparisons often make designs superficial and conservative. A good design often uses colors, materials, process forms and other factors to add an atmosphere or to create a very significant contrast. The contrast we are talking about here should be color contrast, contrast of materials, comparison of technological forms, etc., of which color contrast often leads to the audience's emotional response.

 

    In real life, people's sense of color is very subjective and emotional, because color is more than other visual elements of the audience's emotional response, so the stage art and design of the information transmitted may be due to the use of color was Remember forever, on the other hand, may be permanently forgotten. Therefore, we should pay special attention to the use of color in the design of art. The color is easy to attract the audience's attention. If it is used properly, it can reinforce the important part of a message, but it may be serious if used too improperly or improperly Disperse the audience's attention.

 

    Second, balance

 

    Balance refers to the layout of the various elements of the design screen. A design can be defined as balanced if it is weighted at an intersection of the X and Y axes. For example, a single square, rectangle and circle can produce perfect symmetry design. A design of the overall picture frame, just like a human face, can be divided into similar two parts. A balanced design is best suited for presenting formal and elegant designs that are required by traditional and conservative design styles and appear very dignified but somewhat dull; an uneven design, though less formal, can be Produce dynamic tension in the picture.

 

    Third, rhythm

 

    Rhythm refers to the combination of design elements, this combination can be used to control the audience's sense of the order of the design elements. The concise and easy order helps the viewer find the path to appreciation. The order is a combination of the arrangement of individual visual elements so that the viewer naturally sees another image element from one image element as the designer desires. For example, when we look at different pages in magazines or newspapers, we can clearly feel the designer's ingenious arrangement of the design elements so that the audience can simply follow its natural order of viewing. The illustrations and text stories adjacent to the title show the order of the three. This sequence is also reflected in every stage of a scene, as the Chinese painting stresses the same "vivid charm." Rhythm is like the air, eclectic, unscrupulous, omnipotent, the pursuit of the ultimate, to create perfect. In terms of the stage, in fact, is the treatment of space, I think all the space must be conducive to the expansion of the play; all the space must be conducive to reveal the story; all the space must be conducive to the creation of a particular style; all the space must be conducive to the operation And reflect; all the space must be conducive to change in seeking unity; all the space must be conducive to the designer's design concepts and information transmission.